Thinking is Hard Work

Thinking is Hard Work

“Thinking is probably the hardest work there is, which is probably why so few engage in it.” – Henry Ford

When was the last time you stopped, turned off everything around you— your mobile phone, iPad, computer, TV, radio and everything else in this hyper-connected, hyper-distracted world—and took the time to just … think? Can you remember? I can’t. I’m always on – 25 x 7.

HOW MUCH THOROUGH THINKING IS THOUGHT?

Last year 107 trillion emails were sent. Each day two-billion tweets are twooted (I know that’s not a word, but I like the neologism connotation) and one-billion pieces of content are posted on Facebook. Not to mention that 7,000 comments per second are posted on Facebook. That’s a lot of “doing” but most of it is “reactive.” Responding to the thoughts of others, who are probably reacting to the thoughts of others reacting to the thoughts of others.

How much thorough thinking do you think was thought in all that doing?

WEIRD SOUND IDENTIFIED

So, I decided to try it. Think that is. The first thing I noticed was weird. Really weird. It was a strange sound that I later identified as …

SILENCE

It was unnerving. To get past the unnerving weirdness, I decided to do some deep, thorough thinking on a problem I was having with a book I was writing.

Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book. – Edward Gibbon

I quickly arrived at a conclusion. It’s much easier to do a lot of stuff than think. But that wasn’t the solution to the problem I was looking for. So I stopped to think again … and immediately ran into another conundrum. Thinking is hard work. I just couldn’t get started again with that deafening silence distracting me.

So, to help the process I decided to track down one of the nation’s foremost visionaries and leading authorities on thinking and marketing, Joey Reiman, and talk to him about the future of thinking, the business of thinking … or the lack thereof.

SLOW DOWN TO SPEED UP

Joey Reiman is the bestselling author of several books, including Thinking for a Living, Success: The Original Handbook, and The Best Year of Your Life … Make It Happen Now! A world-renowned speaker, he provides listeners with the inspiration and foresight needed to become leaders of the future. Next year, Random House will publish Joey’s latest book, Business at the Speed of Molasses, which promises to speed up the ideas revolution by slowing business down so that it may be more purposeful, passionate and profitable.

Joey Reiman has it nailed. He’s won over 500 creative awards in national and international competitions, including the Cannes Film Festival. Joey also teaches a course on “Ideation” as an adjunct professor at Emory University’s Goizueta Business School.

CREATE BIG IDEASGET PAID WELL

And … Joey Reiman and his company, BrightHouse, charge between $500,000 and $1,000,000 per idea.

THINKING THE UNTHINKABLE

In 1994, Joey Reiman did something most would think unthinkable. He walked into a meeting with his Board of Directors and announced that he was shutting down his award-winning $100 million a year ad agency, to create an ideas company—to think for a living. His only product would be “ideas.”

“The world was ad rich and ideas poor.” – Joey Reiman

Joey Reiman was convinced that the marketing and advertising world had it all wrong. Their business model—built on the primacy of ideas, but only being paid for the execution of those ideas—was flawed. You see advertising and creative agencies get clients by pitching ideas and giving them away for free. They make their money in the execution of volume production, media spots aired, print ads sold, etc. They don’t get paid for where they create value—the idea. They get paid for the execution of those ideas.

A BETTER IDEA

Joey Reiman had a better idea. He shut down the advertising company, walked away from a $100-million-a-year advertising agency and started a new company he named BrightHouse. It’s considered the world’s first Ideation Corporation.

I wanted to talk to Joey not only about “Thinking for a Living” but also about walking away from a successful $100 million-dollar company. Think about that? It took a real conviction, commitment and some serious …

COURAGE

Steve Kayser (SK): What was going through your mind when you shut down your successful advertising company to start a new company selling ideas? That took a lot of guts.

Joey Reiman (JR): I think everyone has a Joseph Campbell moment at some point in their lives. You’re living what would be called an “ordinary existence” or what I would call doing the “day-to-day job,” and you’re somewhere in your career, and out of the blue, you get a call, just like Luke Skywalker got a call. His was a little more dramatic because he leaves his uncle and aunt to go out and save an evil empire; he got a call to go save a princess and the universe. We all get calls to save ourselves, our families, our companies and even save the world in our own way, but we don’t take the call because we’re sort of set in our ways.

We’ve become routinized, codified and structured and live out a fairly dull existence. But we don’t have to. Those of us who do get a call to do something bigger, better … some higher calling—it’s often to leave your job, to leave your career and follow your calling.

SK: Joseph Campbell called it “Follow Your Bliss.”

ANSWERING THE CALL

JR: Yes, he did. That’s what I’m talking about. I’m keen on teaching my students at Emory University’s Goizueta Business School on not going after a job or a career but a calling.

In 1994, after having a meteoric rise in the advertising industry, winning every possible award (over 500 of them), and really gathering all of the stuff that is supposed to make you happy, I recognized that when you got to the top of the mountain, what you find up there was what you brought with you. And those gold statues actually weighed me down on the hike up. Worse … having the gold statues up there really means nothing.

SELLING YOU WHAT YOU DON’T NEED

That’s when I had a “spear in the chest” moment. I recognized that all of the work I was doing on behalf of the advertising agency was really nothing else than selling people what they didn’t need. Then I started thinking about advertising as the grandest, social experiment in civilization that had failed.

SK: Why?

JR: Because we can’t get enough of what we don’t need. If you have any industry that’s a trillion-dollar industry focused on getting people what they don’t need, then to what end or benefit is that?

I thought the advertising industry had the smartest, most creative people on the planet, and I asked myself, can’t we do better? Can marketing move from marketing to seller to marketing to serve as a healer? This concept was very exciting to me.

MASTER IDEAS

I combed through history; I looked throughout civilization for the biggest ideas that served humankind and I found what I call “master ideas.” Ideas like:

We shall overcome

God is law

For better or for worse

All men are created equal

Very big ideas that were not necessarily factual, but that I recognized as truths.

FINDING THE WHY

The hypothesis was:

Can a company—a marketing company—actually look into other companies as we look through civilization, searching for the instructive sparks of fire that actually gave birth to the company, that gave the company a reason for being alive? To find the”why?”

If you found the DNA of the why, that instructive spark of fire, then you could actually rebuild a culture, wrap genuine value around it, be a more purposeful company and have that purpose drive strategy and tactics.

IDEATION

That notion was big enough for me to recognize a space that nobody had ever gone to in marketing. What I called it was from a word I borrowed from the psychiatric community—”ideation.” Now in the medical community, that’s not a very good word. It means to ruminate about suicide. But the second meaning of the word is the thought process—the thinking process. I combined that in with the notion of a marketing company that would call itself an ideation company that would deliver larger ideas for organizations with the hope that those ideas could help improve public life. And not just in the public perception of the brands, but the company whose advertising we’re supporting. To deliver real results for our clients.

BRIGHTHOUSE—THE EXECUTIVE BRANCH OF THINKING

And I thought “that’s pretty grand,” that should be in the executive branch of thinking. That, of course, would be in the White House. The White House turned into our company BrightHouse with the idea that I would attract the very best thinkers from around the globe in service of the globe and the people living on it.

“Ideals are like stars: You will not succeed in touching them with your hands, but like the seafaring man on the ocean desert of waters, you choose them as your guides, and following them, you reach your destiny.” – Carl Schurz

That was the vision to me years ago. Frankly, it was big enough of a vision. It’s kind of you to call it courageous, but the vision was more enlightening than courageous. It just wouldn’t let go of me. In all callings and in all purposes, when they’re given to you, they’re gifts. Once you acknowledge and hear it, it’s hard not to keep hearing it. Actually, it might take more courage to live a life that has not been lived than to fully recognize the power of the life you have inside you to be lived.

With that enlightenment, I put the word out and some exceptionally smart people came in. I fired all of my advertising clients except for Children’s Hospital, which I didn’t think was the right thing to do. That was 15 years ago, and BrightHouse has enjoyed a great journey helping other companies, other leaders, and other marketers hear their call and take their journey.

SK: By that you mean helping them find their bliss? Find their meaning? Viktor Frankl’s book The Search for Meaning spoke to this journey, but I think Joseph Campbell might have had a little better interpretation of it. Campbell said, “People don’t want to search for meaning—they want to experience meaning.”

JR: Yes. It’s a real search for the rapture of life. People are not necessarily searching for the meaning, but like you just mentioned, Joseph Campbell said they’re in search of the experience of meaning in life.

THE PRIVILEGE OF LIFE?

The privilege of a lifetime is to be who we are. In this society, we are not allowed to be who we are. The freedom to be who we are is often taken away from us at work. We are accountable not to our family, but to the company, and we don’t get to define successes in our terms.

Be who you are; it’s a privilege that’s exclusively yours.

So, what the power of purpose and the power of living our story is, autobiographically or with authority (the power of being the author), is that we get to write our own scripts, and that’s a cool place to be. I mean, I really love my work. I help people to make their lives work, and their companies work better than they do.

SK: So many people give into resistance. “‘I will do it some day. I will, I really will.” But then someday never comes. Resistance beats you. You came to a point in your life—a jumping-off point—where you just said you were going to do it. Was that because you were so comfortable already due to previous successes, or because you were so convinced that it was the right thing for you to do personally?

IT TAKES COURAGE TO BE WHO YOU ARE

JR: It was the right thing for me to do personally. I could not have turned my back on it. In that sense, it was the courage to be who you are in the face of adversity which, at that time, everyone in the world was saying to me;

  • You can’t have a company based on ideas.
  • Why would you turn your back on the advertising industry that’s been so good to you?
  • Why would you give up the accolades, financial rewards and the comfort and security of an industry that’s been proven?

I believed marketing and advertising could do better. Since then, I think I’ve proven that it can.

THE THINKING MODEL—THE FOUR I’S

SK: You created a thinking-process framework for BrightHouse by melding the experiences, processes and thoughts of many great thinkers; from Herman von Helmholtz and Csikszentmihalyi (I’ll never say that one on the radio) to Marshall McLuhan to produce your trademark Four I’s thinking methodology.

THE FOUR I’S:

  • Investigate – Gather and analyze quantitative and qualitative data.
  • Incubate – Three or more weeks of thinking, daydreaming.
  • Illuminate – Big ideas don’t appear. They evolve. Look for the flash, the “AHA” spark of a BIG IDEA that will make a dent in the universe.
  • Illustrate – Visually portray and personalize the Big Idea.

How did the Four I’s concept evolve?

JR: I looked through all of the thinking frameworks throughout history. In the Anatomy of Thinking by Herman Von Helmholtz, a Berlin physicist, his framework is designed to suggest that there was an incubation period. He was a 19th-century physicist, so this guy was way-way ahead of his time.

PANDER AND WANDER

When I looked further at the frameworks, especially in American business, there is no narrative time, no incubation time, no pondering or wandering time, so we actually put it into our model.

Albert Einstein was keen on thinking like a child and taking the time to daydream. I think the notion of daydreaming is critical, not only for thinking but critical thinking.

YOU HAVE TO TAKE TIME

To think great thoughts, you have to create them. In order to create an environment for an unconditioned response, you need to schedule time to think, and this sounds like daydreaming to me—space-time or freebie time. That time is when we do our best thinking. It’s where intelligence has thought. The bottom line is that creativity is intelligence having thought. In order to do that, you have to make time.

HERE’S THE FORMULA YOU NEED TO KNOW: 4 I’S > C2

“Four I’s see greater than two eyes. It’s my equation not only for marketing, but living, loving and life.” – Joey Reiman

THE FIVE LAST BASTIONS OF GREAT THINKING ARE?

SK: Most companies would probably look askew at scheduled daydreaming time at work.

JR: Yes. That’s a problem isn’t it. Where to think? I wrote a paper about the last five bastions of great thinking. It’s certainly not the office; it’s the:

  1. Car
  2. John (aka toilet)
  3. Shower
  4. Church
  5. Park

Turn off the noise. Listen to your mind. Get out of your cubic-hell. People who work in cubicles have jobs too small for the spirit, and that’s an American tragedy. They’re really cubic-hells.

“Face it, most of us have jobs too small for our spirits. “- Joey Reiman

SK: And that’s still the model you use, the four “I”s?

JR: It’s the methodology we use in order to identify a company’s purpose. What BrightHouse is known for is helping Fortune 100 companies:

  • Discover and articulate their purpose
  • Tell their story— and by doing so
  • Attract relationships and not necessarily customers

BUYER VS. BUY-IN FOCUSED

That’s very different from typical marketing that is focused on getting people to buy things. We’re focused on one thing, and that’s to buy into—not to buy things but to buy into things.

“You don’t buy an iPod, you buy into the Apple philosophy.”- Joey Reiman

This is all predicated on the notion that human beings crave meaning. If you’re not creating meaning, then why should people seek you out? But if you create meaning in a genuine, moral and ethical sense, then people will not just want to break down your door, they’ll want to live with you. I think this is really the most important thing as marketing moves from product-focused to customer-focused and gets into the power of relationships.

OVERCOMING ADVERSITY

SK: Just a wild guess here, but I think you probably ran into some resistance and adversity when you tried to create BrightHouse. What was the biggest hurdle you had to overcome?

JR: I ran into a lot of people that said “No. Won’t work. Who’ll pay for an idea? “

SK: (That’s what I was thinking— boy was I wrong. But then again, refer to the opening cartoon.)

JR: And … “Really , who would pay for an idea? It’s not the way the world works.” That’s when the Coca-Cola Company and Coty Cosmetics stepped forward and tried it. We’ve never looked back. But, even to this day, fifteen years later, I still have to teach people a whole new way of thinking and sell the concept.

Our business is really Thinkonomics, and the work we do at BrightHouse is for visionary leadership. Though I’d like to think that every leader is visionary, you and I both know that’s not the case.

QUARTER CENTURY VS NEXT QUARTER

I search for people who are thinking forward into the next quarter century—not just the next quarter—for their shareholders. I think that stereoscopic vision where you’re focused on both the next quarter and the next quarter century is the kind of leader that hires BrightHouse.

“I paid Joey Reiman $1 million just to think!” – CEO Jim Adamson of the Advantica Restaurant Group

SK: Selling value. Selling the value of an idea. You actually charge $500,000 to $1,000,000 per idea?

JR: Yes. I think if you were to ask any of those CEOs “was it worth it?” they’d say yes. Many have been asked. There is a real sense of great value delivered. And value, in return, should be received for great ideas.

QUESTIONS CAN BE MORE IMPORTANT THAN ANSWERS

It’s something I feel strongly about and stand for. It’s just like grammar school. You don’t get credit for the answers; you get credit for solving the question. The questions could be a lot more important than the answers. These questions lead you to deeper thinking toward thoughtful solutions. We don’t need quick solutions. A quick solution often doesn’t work. Thinking more deeply, thinking more thoughtfully, thinking more long-term, takes a longer period of time, but it has greater generative effects.

STOP DOING—START THINKING

We need to stop the doing and start thinking.

SK: Yes. Agreed. But it’s a little difficult for some managers and leaders to think you’re working when you’re at your desk thinking. For example, I tried that once.


And the boss caught me deep in thought, which I re-positioned as “I was hard at work.” My reward? A retro-pay adjustment. That belies the flawed notion of seemingly “doing something” means your working.

“Never mistake motion for action.” – Ernest Hemingway

Was there a point when you were creating BrightHouse and the “Thinking for a Living” concept that you questioned whether you could really pull it off?

JR: I’ve had times at BrightHouse where we took a step backward. I remember working with Delta Airlines and they wanted us to go back to doing their advertising. There was a lot of money on the table—a very lucrative opportunity. I did it, took the money, and it was a big mistake. So yes, I did question myself.

SK: How do you sell ideas? I know you can sell ideas with volume production and execution, but just the idea itself? It sounds to me like the epitome of the definition of a “Complex Sale.”

JR: I couldn’t sell something unless I believed in it—passionately. It’s very similar to consultants. There are two kinds of consultants: the experts and the advisors. The experts I can get in the phonebook. But the advisor is different. In past times, the king would rely on his advisor, not the expert. The advisor was always stacked above everyone else next to the king.

That’s what we sell at BrightHouse. I’m not selling expertise. Those in advertising, they’re experts at communicating. We’re advisors. I do think people will pay for a point of view because anyone can have a point of view.

IMPORTANT

But to have a:

  • Point of view
  • Noble purpose
  • Live that purpose
  • Look at the world through a prism of purpose that magnifies everything

… that people will pay well for … very well; millions of dollars.

SK: What do you look for in a person when BrightHouse hires a thinker?

JR: Well I used to put out a “For Hire” sign, but it was spelled “higher;” the notion being that we were looking for people with a higher form of thinking. Beginning at BrightHouse is pretty hard. There are some interviews, a number of case studies, a number of cases, and I don’t look for anything close until I look into the eyes of the person.

I look for passion because I can teach anyone just about anything, but I can’t teach will. I need will much more than I need skill. If I see will in your eyes, I don’t care what your skills are like; that can be taught. But the will is a gift. That’s what I look for.

“Will is more important than skill. Thinking can be taught. But will is a gift.” – Joey Reiman

SK: Who are some of the luminary thinkers you’ve attracted to BrightHouse?

JR: We’ve created the largest and most distinguished Luminary Network on the planet. We engage these top scholars and expert advisors on all of our projects to provide divergent, unprecedented thinking and insights. It’d be easier if people just went to our website and clicked on “Luminaries” to check them out. But they include:

  • Dr. Philip Kotler, Distinguished Professor of International Marketing at the Kellogg School of Management
  • Dr. Edgar Mitchell, the sixth astronaut to walk on the moon and the pilot of Apollo 14
  • Robert Watson, former CEO of the Salvation Army
  • Horst Schulze, founding president of the Ritz-Carlton Hotel Company
  • Dr. Kary Mullis, the 1993 Nobel Prize winner in chemistry
  • Dr. Allison Druin, Director of the human-computer interaction lab at the University of Maryland
  • Sam Keen, noted philosopher and author. Bill Moyers profiled him in the 60 Minutes PBS special “Your Mythic Journey.”

Among many others.

SK: Back to thinking for a living. What do you think of a genius-type like Nikola Tesla who got the call to change the world through his inventions? He did change the world but died alone and penniless, mainly because his call didn’t include business smarts. He believed himself to be a “Planter of Seeds,” of great ideas for the benefit of our world. Thomas Edison on the other hand invented for one purpose: to sell a product. If he couldn’t sell it, it wasn’t worth inventing. The businesses he created still exist today, and he died fabulously wealthy.

JR: When so many artists and great inventors get the calling, there is not a checkbook. Larry Barkin said, “Infinite patience produces immediate results.” What he meant by that is that if you have a calling of something great, you need to heed it. Edison beat Tesla in sales. Plain and simple. It was his call. Not Tesla’s. But I think if people follow their dreams, try to live them every day, then their dreams will come true. Those of us who have them every day get to live a better life than those who are living without the dream, which is, I think, a nightmare.

Aspirations are different.

What do you aspire to? Is it money? Will you be happy with money? I don’t think most are. Life isn’t printed or lived on dollar bills even though a lot of people think it is. I know a lot of unhappy rich people. I know more happy people without a lot of money but have great hearts, and the dream in their heart is what sustains them.

I wish for everyone to be a Tesla and not an Edison.

SK: If Tesla were alive today, would it be any different?

JR: Yes. Because he’d be working with BrightHouse. His soulful passion would be nurtured and rewarded.

Passion + Purpose = Profit

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About Joey Reiman

As founder of BrightHouse, the world’s first Ideation Corporation™, Joey Reiman decided to offer companies a revolutionary way of thinking that promised to change the way they did business forever. Over the past 25 years, Joey has emerged as one of the nation’s foremost visionaries and leading authorities on thinking and marketing. He is the bestselling author of several books, including Thinking for a Living, Success: The Original Handbook, and The Best Year of Your Life … Make It Happen Now! A world-renowned speaker, he provides listeners with the inspiration and foresight needed to become leaders of the future.

Contact:

[email protected] Atlanta 790 Marietta Street P: 404-240-2500 Atlanta, GA 30318 F: 404-240-2501

It’s Not What People Hear – It’s What They Repeat

It’s Not What People Hear – It’s What They Repeat

DANGER

When death, danger or the IRS beckons, life gets real simple, real quick. Every sense amplifies. Every second lasts a year.  All attention finely focuses. Yes? It’s because of this universal principle… 

Put the Bear Cub Down Steve

Someone throws a rock at your head. Is there a long thought process? No. It’s instinctive, intuitive. Our brains are genetically hard-wired to focus only on the data that’s important for survival. All else is tossed out. Things get real simple, real quick.

“Fix gaze on rock, if it keeps coming, duck!”

That’s called a “gaze heuristic,“ an evolutionary shortcut that evolved over millions of years. It saves the brain from making a Gabazillion (That’s “gabazillion with a capital “G,”) mathematical calculations. Your brain gives you one quick, practical, rule-of-thumb to act on to save you from getting a rock headache or giving you an all expenses paid trip down the river Lethe.

Why is This Important – Besides Being a Handy-Dandy Life-Saving Trick?

Bill Schley, author of the bestselling “Why Johnny Can’t Brand,” has a book called, “The Micro-Script Rules: It’s Not What People Hear … It’s What They Repeat.” Bill’s book taps our brain’s built-in heuristics, or problem-solving rules-of-thumb, to help you craftily break through and powerfully communicate ideas, so people won’t just hear them … they’ll repeat them. Bill details how five finely conceived, crafted and connected words can be more powerful than 5,000.

Message Madness

Sounds easy. I mean, it’s an evolutionary thing, right? Well, easy it’s not. How do you standout and breakthrough in today’s world where Google indexes over 1.5 trillion URL’s? Where 300 billion messages bombard us — per second? And they’re just not messages. On the whole, they’re pretty crappy messages — no?

Most are loaded with self-serving corporate gobbledygook that habitually over-delivers less than zero value. Too much information. Too many words. We’re fighting an exploding global pandemic of message madness where memorability is memorably absent.

Message madness disease only affects us humans – mostly writers and business communicators. “The Micro-Script Rules” can help you take the madness out of your message and put meaning into the madness of 1.5 trillion URLS and 300 billion messages per second.

So What Are Micro-Scripts?

Micro-scripts are magic words and phrases that kick gluteus-maximus in any battle of ideas. Simple. Clear. Repeatable. Memorable. Easy to instantly memorize. Short. Did I say Short?

Let me say it again. Short. Usually 3-8 words. Micro-Scripts work because people love to repeat them as much as hear them. And if they repeat them … they’re spreading your idea or promoting your business for you.

What They’re Not

Sound bites.

What They Are

Idea-bites. That’s right, idea bites that deliver value and message memorability.  Here’s a couple. Can you finish them?

Examples:

If it does not fit, you must ____
Pork, it’s the other ____
Friends don’t let friends _____
1,000 songs in your _____
What happens in Vegas _____
What happens in Cincinnati _____ (Answer at end of article … guess right and receive a complimentary copy of “THE MICROS-SCRIPT RULES.”)
The milk chocolate that melts ______
Dr. Scholls Shoes … are you _____?

Why Do They Work?

According to Bill, “Cognitive psychologists say that people love micro-scripts because our brains love to simplify, and we love communicators who help us simplify. We evolved this way for survival. We zip up whole stories and impressions into compact files and make short “rules of thumb’’ for quick retrieval at the moment of need.

In today’s world, stories are more important than ever, but you need to know how to tell your story in about one line or less. The right five words will always beat 5,000. Marketers will tell you this is a big reason we like brands so much. They help us simplify, too.”

How to Create Micro-Scripts?

You can’t template the process to create a Micro-Script, but ideas, patterns and similarities emerge. According to Bill, “The pattern we most often see is a simple, two-part logic equation – a kind of balance where value A is related to value B to form a complete idea. For example,

Problem A has Solution B

If A, then B – “What goes around, comes around.”
A causes B – “No pain, no gain.”
A saves B – “Better safe than sorry.”
A mirrors B – ‘If guns are outlawed, only outlaws will have guns.”
And the single, big metaphor version…

A is B

“Laughter is the best medicine.”

“Honesty is the best policy.”

“Love is blind.”

5.2 Words

Bill’s research also revealed that the most memorable lines of all-time delivered powerful and moving ideas in an average of 5.2 words – 5.2 words.

Can you imagine?

What are we going to do with all the spare words we know?

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The answer to Cincinnati question? If you know, let me know. I think it’s “nothing.” But… I’m not sure.

 

For the Fallen

For the Fallen

By Steve Kayser

They shall grow not old, as we that are left grow old

Age shall not weary them, nor the years condemn

At the going down of the sun and in the morning

We will remember them

– From “For the Fallen” by Laurence Binyon

A salute to you, brother Chuck.

Hard to believe it’s been so long. We were so young.

I looked at your picture yesterday. You haven’t changed.

You never will.

I will remember you.

Always.

Who Influenced You?

Who Influenced You?

By Steve Kayser

I’ve done a lot of interviews with some great thinkers, business leaders, and writers over the last several years. One question I love to ask  – no matter what the topic – is,

“Who influenced you?”

The Secret Sauce

Why? Mainly because I’m nosy. Aren’t you? Isn’t everyone looking for the secret sauce of success? I’m especially curious about great writers and storytellers. How did they learn the craft? How did they hone it? Who influenced them?

And you know what? The answer to those questions usually ends up being the most revealing, illuminating, authentic… and fun.  And there’s always a great story involved. Is it because once you reach a certain level of success you look back and see how blessed you were at a certain time in your life to run across that certain person or book? Or you experienced something unexpected that set you on your life path?  Or later, when you think back, it seems like it was a complete fluke, an accident of fate?  But, without it they know  – there would have been no success – or at the very least it would have been a completely different type of success.

Ask

It was no different when I asked Dr. Ken Blanchard, author of 50 books, including the iconic “One Minute Manager,” the question…

Who Influenced You?

Steve Kayser:  You’ve sold 20 million copies of your books and the One Minute Manager is revered in business circles and still being used as a guide almost 30 years after publication.  Who or what influenced your writing style?

I ask all successful writers and storytellers that I’ve had the opportunity to interview that question – who influenced you – because they all seem to have something in common. Clear, concise, easy-to-understand-and-read writing style. No complexities.  Eloquent, elegant, sophisticated and simple style – yet deceptively complex with deep knowledge embedded – if you look for it.

So who influenced you as a writer?

The Value of the Parable

Ken Blanchard: Well, I think Spencer Johnson and I influenced each other. I met Spencer at a cocktail party in 1980. He wrote children’s books, The Value of Courage, the ValueTale series, Story of Jackie Robinson, The Value of a Sense of Humor,  The Story of Will Rogers, just a wonderful series of stories for kids. I had just written a textbook. I was a college professor at the time. My wife bumped into Spencer at the party and brought him over and introduced us. She said,

“You guys ought to write a children’s book for managers. They won’t read anything else.

Steve Kayser: Hilarious, a children’s book for managers. So true. Even more so today than it was back then.

A One-Minute Scolding

Ken Blanchard: Yes, so, he was a children’s book writer, and I was just a storyteller. He was working on a one-minute scolding on how to discipline kids at the time. So I invited him to a seminar of mine. Spencer sat in the back at the seminar and laughed out loud. He came running up at the end of it and said,

“Forget child learning. Let’s go for The One Minute Manager.”

Steve Kayser: How did you decide to go with the parable storytelling style?

Ken Blanchard: Well, we thought about that – the best way to do it – and that’s when it became interestingly magical.  We talked and discovered our favorite books at the time were Jonathan Livingston Seagull, The Little Prince and Og Mandino’s The Greatest Salesman of Them All. All similar in style, and of course  Jesus taught by parable and story in the Bible.

Spencer said,

“We ought to just write a parable, write a story that sells.”

Seek, and You Will Find

So we created a story around this young guy seeking out an effective manager to teach him how to be one.  And he wanted to work for one. In his seeking, he uncovered three secrets to being an effective manager. We came up with the belief, and I still believe this, that people can’t remember more than three or four things at a time. We wanted them to remember the secrets so they could use them in their businesses.

Steve  Kayser: So without …

  • A chance meeting at a cocktail party
  • Your wife introducing you to Spencer Johnson, author of a series of Children’s stories
  • You two hitting it off personally, and both having a love for the parable…

… There would have been a book called, “The One Minute Scolding.” But there would not have been the “One Minute Manager.”

Ken Blanchard: Yes. That’s right.

Do the Work

There was one last critical element not mentioned. You can knock on the door to success, but without acting, actually doing the work to make your dreams come true and walk through that door – there will be no success.

Dr. Blanchard did the work. And still does.

And You

One person, place or event can influence and alter the course of your life forever – at any age.

Who Influenced You?

Who was that someone for you? Who influenced you?

Have you thought about it? If so, have you thanked them?

Have you tried to become that person for someone else?

###

Steve Kayser is the author of “Acceptance Bridge: Crossing the Great Divide“; “The Greatest Words You’ve Never Heard: True Stories of Triumph,” an award-winning writer, former radio host, public speaker and the Founder of Kayser Media – which specializes in PR, Marketing & Media Relations. His eclectic (some say bizarre) approach to PR, Marketing and Media Relations has been documented in a marketing best practices case study by MarketingSherpa, profiled as a “Purple Cow,” by author Seth Godin, and featured in the best-selling books, The New Rules of Marketing and PR by David Meerman Scott and “Tuned In: Uncover the Extraordinary Opportunities That Lead to Business Breakthroughs” by Craig Stull, Phil Myers, and David Meerman Scott.

In addition, Steve is the co-author of “Margins and Missions… Not Moonshots: Pathways to a Better U.S. Higher Education,” and was editor, designer, and producer of “The Surgeon and the Spirit: A Panoramic View of a Journey in Academic Medicine.

Steve has also been featured in the following publications: A Marketer’s Guide to e-Newsletter Publishing, Credibility Branding, Innovation Quarterly, B2B Marketing Trends, PRWEEK, Faces of E-Content, and The Ragan Report. Steve’s writings have appeared in Corporate Finance Magazine, CEO Refresher, Entrepreneur Magazine, Business 2.0, and Fast Company Magazine – among many others.

Flickr photo courtesy of the inimitable H.Kopp Delaney (http://www.flickr.com/photos/h-k-d/5984648332/sizes/m/in/set-72157627300693526/)

Case Study: Lessons and Blessings – Overcoming Adversity

Case Study: Lessons and Blessings – Overcoming Adversity

To win at business or life, adversity has to be encountered, faced, fought and defeated. There is no other way. No options. You either beat it, or it beats you. Win, or you lose.

Simple. Right?

No.

It’s never black and white. Never win or lose. Something always bleeds over. Always. Sometimes good – sometimes bad. Sometimes funny – sometimes sad. Most times a little of both. But hopefully each experience brings with it life lessons and blessings.

This is one such story –  but I didn’t know it at the time. Like many mystical magical moments in life, it was gone before I had time to come to grips with my own inadequacy. It was gone before the numbness of an ordinary, normal, average life was pierced by the spear of an angelic character, steeled by a life done wrong.

Take no umbrage, no offense, at the point-of-view of the narrator. It’s a personal recollection. A recollection colored by fond remembrances of two spirits sideswiping each other on life’s unfathomable path.

Sometimes there’s nothing sadder than humor.

SMART VS. SMART-ARSE

Several years ago I got fired for being too smart. That was my recollection. Everyone else’s recollection was I was fired for being a smart-arse.

So, I had to find a new job.  My first interview went well (not).  I was promptly turned down for the CEO position at a well-known hosiery company. Now granted, I didn’t have much (any) experience in the creation, production, marketing, sales or distribution supply chain of the hosiery industry. But, being of the gender I am (a manly kilt-wearing man), I was pretty certain I could articulate the benefits and unique selling proposition (USP) of the product in a compelling and profitable way.

REJECTION EJECTION

Upon rejection (there was some confusion upon my departure. The mistaken impression that I was ejected from the premises may have been surmised had one been watching), I forlornly began wandering the streets of Cincinnati, with my head drooped just about level with my navel.

Walking like this has some disadvantages. Clarity of vision is one. I ran into something hard, looked up, and before me was … an apparition, an event, a pre-destined meeting, a saint.

A WOMAN IN A WHEELCHAIR.

But Steve, you say to yourself, that’s not terribly uncommon. A little melodramatic aren’t you?

No.

She had no legs. And …

No arms.

She controlled the operation of her motorized wheelchair by blowing through a tube. I was humbled. Dropped low. Deep. My problems were now nothing but a smashed proton in the unfathomable singularity of a black hole.

She was navigating the sidewalks of Cincinnati by herself.

Alone.

To educate people unfamiliar with Cincinnati on how daunting a task this can be, Cincinnati sidewalks were built before sidewalks had been imagined and possibly even before the invention of the wheel. A rut in the sidewalk is typically referred to as an “improvement.”

I saw her get ready to enter a building and leaped forward to open the door. As I did, she spoke, my apparition, my saint, with an angelic voice.

“Hey, Bozo, what do you think I am some useless quadriplegic?” she said.

I guess even saints have rough days.

TERM OF ENDEARMENT

I considered the reference to me as “Bozo (the clown)” as a term of endearment. Why? Because my face had turned absolute white, my nose vivid red, my hair popped out like a bad 70’s Afro (I used to have a good 70’s Afro … I know the difference).

“I’m sorry, I was just trying to help.”

“You want to help? Get in here and buy something.”

She was the owner of the shop. And, in one of those weird synchronicities not fully explained, but hinted at in Einstein’s Special Theory of Relativity, she sold, you guessed it, women’s apparel. Mostly hosiery.

Her name was Antonia Maria, and that’s all the personal history I ever really learned about her.

MARKET RESEARCH

I was so overwhelmed, humbled, and awed at the obvious obstacles and adversity that Antonia Maria was overcoming daily, if not nanosecond-by-nanosecond, that I bought 37 pairs of every imaginable type of hosiery (under the guise of real-time market research for my next hosiery CEO job application).

Her eyebrows arched a bit (well, maybe more than a bit) when I piled them up on the counter. And, with my usual sophisticated schmoozing aplomb I explained I had an extended family.

“Lots of females,” said I.

For nearly a year, once a week, I stopped by her shop and bought hose. We became Forrest and Bubba Gump-ette close.

“Hey Bozo.”

“Hey Antonia Maria.”

Each visit was an inspiration. A lifting up, not sad, not melancholy, but a moving, life-affirming, sharing of the human spirit and journey. To trek through this world as she did, daily overcoming the obstacles (physical, economic and social) and adversity she faced … was truly amazing.

Occasionally she’d catch me in a mathematical obfuscation.

“How many females in your extended family?”

“28.”

“Was 25 last week.”

“Newborns … very fertile, my family.”

RIGHT THING. RIGHT TIME

In addition, she was quite the enterprising entrepreneur, having an in-depth, innate grasp of contextual marketing concepts. Antonia Maria had the incredible knack of saying the right thing, at the right time, to the right person, to move them deep into the buying cycle.

“I’m guessing you’ll need a few extra pair of hose this week then?”

I nodded.

I AM RUDE AND DUMB

Yes, I admit. Freely.  Authentically. Rude and dumb. I honestly throw myself on the altar of “what was I thinking?” I could not, often times, refrain from staring at her when I felt she wasn’t looking. I wondered how she did it.

How she coped. How she smiled. How she woke each day and got out of bed to go to work. And a million other “hows” that crossed my misfiring neurons.

Then, it was over.

She disappeared. Her shop closed. No signs. No explanations. No forwarding address. I inquired, but no one knew anything. I hesitated to do any extensive investigation for fear of what I might learn.

It’s said that the eyes are the windows of the soul. If that’s true, Antonia Maria’s soul was on fire. Her iridescent brown-green eyes absorbed and expressed life. Faith. Spirit. Strength. Hope.

To this very moment, I remember everything about Antonia Maria. Everything so incredibly resilient, hopeful, happy, glad and beautiful she ever said.

HOW DID SHE DO IT?

I don’t know. I’m not smart enough to answer that. Never will be. I couldn’t do it. Too weak.

I do know that Antonia Maria had a vigorous life-affirming charismatic spirit that shone through all her adversities. She had a heart wider than the Grand Canyon that would take on any issue with uncharacteristic straight-forwardness. And …

NEVER

Not once, let me repeat this, not once, did she ever complain about … or for that matter even explain her physical condition.

If I had to guess how she did it?

Spirit. Heart. Guts. Faith … and life-enabling technologies.

The technological marvels wrought by industry research, development, application, and availability that enabled Antonia Maria to face, fight, defeat and triumph over her physical obstacles were, unless you actually saw it, almost ineffable.

Time passed.

UNFORESEEN DOWNSIDE

Eventually, our relationship had a downside that ultimately gave me the opportunity and skills to overcome an adverse moment in life. Last month, my wife, grandmother, daughter and aunt were rummaging through my basement workshop for “yard sale” items.

HOW MANY PAIRS OF HOSE???

They found 2,093 pairs of hose.surprize

When confronted by this gathering storm of frumpettes, I quickly used my marketing abilities to “reposition” this disturbing find and utilized a UES (Unique Explanation Statement) touting the find as in-depth “market-research.” This was supposed to overcome the obstacle of false impression embedded in their minds.

It failed. Utterly. Miserably.

WAR AND PEACE

Only one supporter swallowed the UES – my dog,  Tolstoy. (Named so not because he looks like Tolstoy, but because he always backs me during war or peace … provided he receives his weekly stipend of Scooby snacks.)

But being the absolute ruler and king of the castle, I decided to imperiously tell the gathering storm of frumptettes to mind their own business.

That didn’t work either.

So, I confronted this impending doom of an adverse moment and took decisive action. I grabbed the donkey by the horns and used a tried-and-true tactic. One that successful Venture Capitalists use almost daily.

And it worked. The tactic?

THE EXIT STRATEGY

 ###

 The Path  feature image courtesy of H. Kopp Delaney. Please visit his site. One of the best artistic talents of our times.

STORY: A Simple Timeless Tale  Lessons Learned from Hollywood STORY Guru Robert McKee

STORY: A Simple Timeless Tale
Lessons Learned from Hollywood STORY Guru Robert McKee

I’ve had the good fortune to interview and work with many great storytellers over the last few years. What follows is a series of articles with hard-earned and learned lessons from some exceptional writers, storytellers, and teachers.  One of those people was Robert McKee, the best-selling author of “STORY” and legendary guru of Hollywood storytelling, several years ago. The premise of the interview was simple – can the principles of his classic book “STORY” be used in the complex sales process?

SIMPLE CAN BE TIMELESS

Though the premise was simple, the lessons learned were timeless – and can be used in your life of business or the business of life.

WHO IS ROBERT MCKEE?

Robert McKee is the most widely known and respected screenwriting lecturer in the world today. His STORY Seminar has been taught to over 50,000 screenwriters, filmmakers, TV writers, novelists, industry executives, actors, producers, directors, and playwrights.

Teaching is easy. Results are hard.  Robert McKee’s STORY and the stories delivered by his students have garnered;

  • 32 Academy Awards – 106+ Nominations
  • 168 Emmy Awards – 500+ Nominations
  • 21 WGA Awards – 77+ Nominations
  • 17 DGA Awards – 48+ Nominations

His former students’ accomplishments are unparalleled. Stories written, directed, or produced by students of Robert McKee include:

“Iron Man,” “Angels & Demons,” “WALL•E,” “Lord of the Rings I, II, III,” “A Beautiful Mind,” “Desperate Housewives”, “CSI, Law & Order,” “Cinderella Man”, “Gates of Fire” (novel), “The Daily Show,” Grey’s Anatomy,” “The Simpsons Movie,” “The DaVinci Code,” “Cars”,” Shrek.” “X-Men 3,” “Million Dollar Baby,” “Ratatouille”,”Finding Nemo,” “Paul Blart: Mall Cop,” “The Last Mimzy,” “Bobby,” “Quantum of Solace,” “The Color Purple,” “Crimson Tide,” “The Deer Hunter,” “The Elephant Man,” “ER,” “Forrest Gump,” “Gandhi,” “M*A*S*H,” “On Golden Pond,” “Saving Private Ryan,” “Robin Hood: Prince of Thieves,” “Sleepless in Seattle,” “The X-Files,” “A Time to Kill,” “Toy Story I and II,” and more.

Robert McKee knows STORY. He wrote the book.

INTERVIEW

Steve (S): How can the principles of Story work in the Complex-Sales presentation? How can it be used to resonate and touch disparate groups with different agendas, goals, and prejudices, while at the same time, connecting the intellect – making good economic business sense?

R: First, why is it so complex?

S: Good question … the complexity of the products and services and the buying committees have forced salespeople to communicate with a lot of different types and groups of people – users, business types, programmers, etc. To accomplish this, it usually turns into a 58-slide PowerPoint presentation laden with meaningless corporate acronyms to address every aspect of the individual’s wants/needs on the buyer’s committee … too much info.

And, the fact of the matter is, there are a lot of products and services that can solve their problems. There’s not a lot of difference. The key should be the sales presentation … effectively communicating simply the economic business value and connecting on an emotional level with the people.

R: You know, I’ve been in situations where writers are pitching their stories, right? They’re trying to sell their screenplay. Most executives are so busy that they would rather have the writer come in and pitch the story in 10 minutes before they decide whether they want to spend two or three hours reading it. So the pitch has to go well. I’ve seen writers come in and they’re charming, they’re funny, they do this brilliant song and dance about their story that they have obviously rehearsed and polished and then tell their story virtually tap dancing on your desk. And I have also had writers come in that were not very good. Not good! They were scared to death. They were very shy. They weren’t comfortable around people. They couch and choke their story out and … you know it’s brilliant.

S: But, how, or why, do you know the story is brilliant?

R: Because you listen to the story and no matter how badly the guy performs it, you go “that’s a great story.” You’re fascinated by the sudden story surprises and revelations – although the delivery may not be there.

LESSON LEARNED ONE: SMOOTH AND SLICK DON’T ALWAYS STICK

There’s hope for us less-than-smooth-and-slick storytellers and presenters. Great story rules. But you still need to work on your delivery.

S: What about the charming, funny guy?

R: Mr. Charm? You listen to his story and you know he’d better be charming because his story is a piece of crap if you actually listen to what’s being said. In the great play and the film Death of a Salesman, Willy Loman talked about always having a shine on your shoes and a smile on your face … but he’s a terrible salesman and his family is starving.

LESSON LEARNED TWO:

If you’re out to describe the truth – leave elegance to the tailor. – Albert Einstein

R: But I do know, presuming that the people you’re trying to persuade are intelligent and are actually listening and not being influenced by the charm of the speaker, that there’s a powerful, compelling way to present effectively. Story.

S: Story? Can you explain what you mean when you say that? How would you incorporate Story principles into the Complex-Sales presentation?

R: There are two choices or methods of presentation. Rhetoric or Story. It’s all about persuasion, right? You’re trying to persuade someone to buy something. Or in the Complex-Sales setting, you’re trying to persuade some people at various levels involved in the hierarchy of some organization. Rhetoric is the PowerPoint method where you present evidence in a particular order … or what is known as an inductive argument, right?

S: The difference?

R: Rhetoric is statistics, facts, quotes from authorities, etc. Rhetoric recites this point, this fact, this industry-analyst quote, and then another point, ad infinitum, so, therefore, mine is the best, the greatest, the one, the only, product and service that can do what you need.

S: Yes … so what’s wrong with that?

R: They know you’re lying! You lie in a rhetorical PowerPoint presentation by presenting the information in the most favorable light possible. The buyer knows you’re lying because the buyer is a businessperson who knows that nothing is that rosy. You quote your industry analysts – they’ll refute your industry analysts with theirs.

LESSON LEARNED THREE:

“I didn’t fib! I made a fable, like Aesop and those other guys.” – Dennis the Menace (noted philosopher I quote often)

Don’t lie … fabricate a fabulous fable.

R: Why expose your weaknesses? Why not conceal it? Because if you only give the positive side, they instinctively know you’re lying. Because why? Again, nothing is that good. The deep difference between presenting something rhetorically and creating it in a story… is that in a story, it is a dynamic of positive and negative charges.

S: Example?

R: You start up a business and immediately you’ve got problems. You overcome those problems and take a step forward, but new problems arise. You find ingenious ways to solve those problems only to discover that you have a competitor who’s got another product that does it better. You improve your product to be better than your competitor. It goes on. So when you tell a story, you can’t just hit positive, positive, positive.

In Story, you cannot hide the negative. It’s overcoming the negative that makes you powerful. It makes the positive even more positive in the eyes of the person whose hearing the story. Therefore, when you tell a story, admit problems and then dramatize the solution of those problems. Then cause new problems to arise. Dramatize the solution of those problems until you finally get to that positive climax. Because you’re admitting your negatives in front of them, it takes a lot of guts.

LESSON LEARNED FOUR:

Admit the negative. Overcome. Give yourself the power.

R: They sit there saying: “That’s right. That’s true. That’s what it’s like to be in a business environment. It’s not all positive. But this person is showing me how his product or his service will overcome those problems and how I will benefit.” As a result, they feel that they’re being told the truth.

S: But couldn’t you be lying anyway?

R: Yes, you can lie in a story just as well. But when you tell stories, if you lie, the lies become evident quickly because of the interweaving of story and fact. When you tell it in PowerPoint, they know you’re lying. They just don’t know where. There’s a more important lesson here. You realize, well, that’s a lie! That’s crap. I wouldn’t buy that.

LESSONS LEARNED FIVE:

“The truth is rarely pure, and never simple.” – Oscar Wilde

R: Preparing to tell your business case in a story forces you to confront the lie and search for the truth. You will catch yourself as you prepare for the presentation sloughing over certain problematic things. If you’ve got guts, you won’t slough over them. You will admit them.

S: Why? (Am I the master of the one-word question or what?)

R: Because then you will show how even these challenging problems are overcome. When you tell your story honestly, and you don’t hide the negative, you tell it well. People sit there with their mouths open going, “my God, what guts.” Put them in the position to see how the negative is overcome. You’ll gain their trust. And, you will have also impressed the heck out of them because you’re an honest human being who knows the reality. A person who deals in reality, but has honestly dramatized the way in which these problems, that we all, as business people, know exist.

LESSON LEARNED SIX:

Impress them with your honesty. Expose the negatives. Gain their trust.

S: In STORY, you say Paddy Chayefsky told you once that when he’d discovered his story’s meaning, he’d scratch it out on a scrap of paper and tape it to his typewriter so that nothing going through his typewriter would in one way or another express his central theme. A clear statement of Value and Cause. That seems like a logical first step in any story.

LESSON LEARNED SEVEN:

Discover your story’s meaning. Make it your clear statement of Value and Cause.

R: Yes. From there you’d take that same rhetorical presentation and dramatize it. Within the story there is rhetoric, there is information. The facts get woven into the story. Weave the information dramatically within a story. Leave them hanging. If you tell them a story that’s predictable, they’ll get ahead of you and lose interest. Tell a story that pits expectations vs. realities, and the struggles to overcome them. I believe great salespeople are by instinct, storytellers.

LESSON LEARNED EIGHT:

Pit expectations vs. realities. Tell the struggle to overcome. Leave them hanging.

S: And the foundation of a good storytelling Complex-Sales presentation is?

R: Research. The key to winning the war is research, taking time and effort to acquire knowledge. Understanding their problems …

S: Is that what you mean when you describe it as “storytelling from the inside out?”

R: Yes. You want them empathizing; you want them saying, “my God he’s telling my story. That’s me.” It’s got to be very personal for them.

LESSON LEARNED NINE:

Understand THEIR problems. Make it personal to them.

S: Could you talk a little about “The Principle of Creative Limitation?”

R: It’s exactly the subject we’re talking about. The PowerPoint presentation is easy, that’s why people do it. Creative limitation means instead of doing something the easy way; you do it the hard way. You take a method that is much more difficult to accomplish. As a result of your struggle as a salesman to accomplish the presentation in the form of a story, you are forcing yourself to be creative. The more difficult you make it for yourself, the more brilliant the solutions you will have to come up with, or you fail. And when you come up with brilliant creative solutions to the presentation, the results for the people, for the audience, are stunning.

LESSON LEARNED TEN:

Make it hard. Force yourself to be creative. It will stun your audience.

R: The principle of creative limitation forces you to do it the hard way. Story is more difficult than PowerPoint there is no question. You have to have a real talent for this, and you have to do it well, or you will look like a fool. That is why people avoid it because they don’t have the talent, they don’t do the research. They don’t know, they don’t know how to present it in a living way it’s difficult.

Why is whistling not a Beethoven symphony? Because whistling is easy. A Beethoven symphony is hard. But when you take on the challenge of writing a symphony, the creative solutions are amazing, overwhelming. Whistling is something you can do on the street.

The more difficult the technique, the more brilliant the solution. Another analogy … golf is more difficult than ping-pong. It’s not that ping-pong isn’t good, it’s a lot of fun and at the highest levels, it’s wonderful. But ping-pongers are not Tiger Woods, why? Because the golf swing is infinitely more difficult than hitting a ping-pong ball. Touch football is not tackle.

When you make things easy, the results are boring. When you make things difficult the creative solutions, the concentration, the practice, and the work that has to go into it, forces you to be creative. The results are all the more stunning. PowerPoints, of course, are the natural choice because people do not want to work and they don’t want to fail. And so they take what is easy and they think it will be successful. And then, they don’t get the sales.

LESSON LEARNED ELEVEN:

Challenge yourself.  Do you want to be a whistler … or a Beethoven?

R: And so, when they fail, they blame the product, they blame the buyer for whatever reasons they rationalize they’re crazy.

S: In your book, you talk about the “GAP” … what is it, and could this be an effective tool in a Complex-Sales presentation?

R: The world does not react the way you thought it would react. The GAP is between expectation and reality. What do you do? You’ve got to gather yourself and find another solution. When the gap opens up in life, it’s because the negative side of life that you could not anticipate suddenly erupted in the face of your action. Every day you walk into an office expecting cooperation and then one day you get antagonism. The deep difference between Story and PowerPoint is that Story admits to the negative. Admits to the fact that life does not react the way you expect and that is a fundamental difference. The gap is the essence of overcoming the chasm between expectations and reality. PowerPoints, pretend that gaps don’t exist. PowerPoints, pretend that the world will react exactly the way you predict.

But what guides you, of course, is that you’re ultimately trying to leave with the buyer one, clear, simple idea you want them to all understand. Not just understand intellectually, but also understand emotionally by the time you’re done.

LESSON LEARNED TWELVE:

A good story connects one simple idea – intellectually and emotionally. It exposes, then overcomes the chasm between expectation and reality.

S: In your book, you said from the ’20s to the ’50s storytelling was common knowledge. Now it’s a lost art. Is Story really a lost art or is it just not being taught anymore?

R: We went through a terrible cycle of very, very bad education of the writer. Education of the writer/storyteller was turned inside out from the ’60s on, but now finally, the light is dawning on people and they see that there’s a difference. The fundamental difference is between criticism and creativity. What’s been taught to writers for the last 40 years was not creativity but criticism. The methods of speech and literature and writing at universities may have been extremely valuable to people who want to be critics, but useless to the writer/storyteller, and in fact, detrimental to the writer.

END OF INTERVIEW

For more information on STORY and the art of storytelling, visit Robert McKee website.